November's DVD Reviews,
Part I
Quick reviews from my Netflix queue and/or
the library.
Hooligans, 2005 (aka
Green
Street Hooligans)
Echoes of Fight Club.
It is in no way surprising plotwise, but it was still an original take
on an old story.
Jarhead,
2005
This film seems to try being Full
Metal Jacket for the Gulf War. It was better than I had expected,
but I don't know that anyone without a Y chromosome will care for it.
Arrested Development:
Season 3: Disc 1, 2005
The writing in this show is so
taut that it is difficult to imagine how it could even be improved.
If it weren't for the facts that the powers that be at Fox are idiots (Exhibit
A: Bill O'Reilly) and that Battlestar Galactica is still on the air, then
this would be the best show on television. Instead, it's the best
canceled show on dvd.
The Final Cut,
2004
What if all your memories were
recorded in life and were only accessible upon your death? It's an
interesting premise that is under-explored because the film spends too
much time trying to be moody and divides itself between two minor storylines
that are overshadowed in their significance by the larger issues of this
technology.
The Nightmare
Before Christmas, 1993
I hadn't seen this in years, but
it was time for a revisit. I'll swim against the current of current
opinion and say it *should* have been a classic. I think the music
and art-direction aren't up to what they should have been, but I'm not
going to go into a lengthy critique here. The density of the film
weighs it down (e.g., too many minor characters, cluttered sets, etc),
so it takes several viewings to access everything. In other words,
it was too full of ideas instead of appropriately stocked with a few *good*
ideas. They threw a lot into it, none of it very good. Everything
about it is mediocre except the basic concept, so it's inevitable that
you walk away feeling you should have enjoyed it more than you should have.
Doctor Who:
Season 1: Disc 4, 2005
The writing on this show is starting
to come into its own by this time in the revamped series. The tongue-in-cheek
style of the original series has given way to a faster-paced and wittier
dialogue that is more in step with what modern audiences (i.e., I!) want
to see.
Alias: Season
2: Disc 6, 2002
Goddamned end-of-the-season cliffhangers!
I'll give them credit though, they know how to keep these plot twists coming.
Breakin'2: Electric
Boogaloo, 1984
If I could sum up this picture
in one word, it would be CRINGE. Unlike one of these movies about
people with talent where they make you believe in the performers through
the use of careful editing and the judicious use of body doubles (think
Flashdance),
these no-talent kids look like exactly that. I wanted to crawl up
into a ball on the floor, and it wasn't to do a backspin.
The Ringer,
2005
Real-life tard Johnny Knoxville
plays a guy pretending to be a tard in order to win the Special Olympics.
If this sounds as retarded as it actually is, then you're as confused as
I am as to why I even bothered with this predictable throwback to '80s
comedies that can presently only be found re-run in the wee hours of the
morning on the USA network.
Underworld:
Evolution, 2006
I guess it would help if I really
remembered the first one (The recap at the beginning of this one didn't
jog my memory much), but this was exactly what you would expect, then you'll
forget it five minutes later. Rent Blade III instead.
BeoWulf &
Grendel, 2005
I just took a chance on this one
when I saw it at the library. I turned out to be an interesting take
on the Beowulf story. It follows the original story very closely,
but there are lots of modern touches where they have embelished the plot
to give you insight into who this Grendel character is anyway and why's
he so pissed. There are interesting bits they've added to the dialogue
as well. I won't ruin it for you because you're either going to rent
this or I'm going to cut your right arm off and hang it in my mead hall.
Galaxina,
1980
It tried to be a comedy, but that
wasn't what I was laughing at. This dated sci-fi junk is hilarious
in ways that were never intended to be funny.
Friends with
Money, 2006
I was first introduced to Catherine
Keener years ago watching Walking and Talking on the Sundance channel.
Close to a decade later, Keener has re-teamed with the same director (Nicole
Holofcener) to make another light comedy with enough though-provoking material
to distract me from the irritating presence of Jennifer Aniston.
Girlfight,
2004
Wow. I didn't expect this
to be all that good. Okay, this is not Million Dollar Baby.
This movie blows that one away. The material should have been a cut
and paste formula picture, but this was great. I'd call it a knock-out,
but you'd be right to hit me.
The New World,
2006
I knew what I was in for.
I mean, I had seen Terence Malick's other movies, so I knew it was going
to be a meandering journey. It is, but it's an interesting one.
Memoirs of a
Geisha, 2006
I hate to admit this, but I would
just as soon skip depressing historical pictures. Sure, these stories
need to be told, but I don't like being depressed that William Wallace
was disemboweled or that Anne Frank spent her truncated childhood in an
attic before dying of typhus in a concentration camp. The tragic
story of the life of a geisha is minor by comparison, but... still.
Even told well and couched in beautiful aesthetics (as is the case here),
it still leaves me depressed.*
*I make an exception for Brokeback
Mountain because that was just fucking beautiful.
PICK OF THE
LITTER: Girlfight! This one started out as an indy film and barely
got any exposure. It's worth a detour from your usual diet of new
releases.
Copyright 2006
Ale[x]plorer.